Leon Botstein: Reviving the Classics
Leon Botstein, president of Bard College and music director of the American Symphony Orchestra, continues to champion overlooked operatic works. This summer, Botstein brought Giacomo Meyerbeer’s “Le Prophète” back to the American stage, marking the opera’s first significant U.S. production since the 1970s. The revival forms part of Bard College’s SummerScape festival, running until August 4th, and underscores Botstein’s commitment to revisiting the works of composers who have fallen into obscurity.
Botstein argues that Meyerbeer, once a celebrated figure in the classical music world, suffered an unjust decline in posthumous recognition. He attributes this to changing tastes and a shift towards realism in opera that pushed Meyerbeer’s compositions to the sidelines. By reviving “Le Prophète,” Botstein aims to correct this narrative and shine a light on Meyerbeer’s contributions.
The production takes place at Bard’s Sosnoff Theater, with Botstein leading the American Symphony Orchestra. The cast includes tenor Robert Watson, mezzo-soprano Jennifer Feinstein, and soprano Amina Edris, promising a compelling rendition of this grand opera. Botstein’s direction seeks authenticity, with input from musicologist Mark Everist to restore sections of the original score.
Director Christian Räth reimagines “Le Prophète” for contemporary audiences, drawing parallels between its themes and today’s societal issues. Set in the 16th century, the opera explores the rise of a demagogue and religious fanaticism—topics that resonate eerily with modern times.
Looking beyond this season, Leon Botstein has already announced plans to stage Smetana’s “Dalibor” next year. His efforts at Bard College ensure that forgotten musical treasures continue to find their way back to audiences, keeping the legacy of these compositions alive and relevant.